Locked 2011
LOCKED 2011

I dedicate Locked to in Loving Memory of my Dear Friend Vicente “El Picosito” Garcia-And All victims of Homocide.- Mi Gran Campion

Thank You Governor Bill Richardson for your endorsement, Grants, and filming locations for “LOCKED”
Thank You U.S. Representative Martin Heinrich for your endorsement, grant writing and support for “LOCKED”

Thank You Mayor Thomas E. Swisstack of Rio Rancho for you endorsement and support of “LOCKED”

Thank You State Representative Miguel P. Garcia Of District 14 Bernalillo for your endorsement and support of “LOCKED”
Thank You Sylvester Stanley Democrat for Bernalillo County Sheriff

A Tiguex Productions Joint Presents

The Chicano Series
“A Tiguex Production Of Locked A Chicano Film Series”
Cast and Crew and those involved
Creator writer director and produced by… Tito Chavez
Executive Producers…Tito Chavez
Theme Song by…Juan Gambino
Casting…Tiguex Productions
Second second Assistant Director….
Additional Second Assistant Director…..
Property master/weapons master……
Graphic Designer….Shawn Cooper
Set Designer…..
Set Dresser…..
Sound Department….Supervising Sound Editor…Adr mixer…Boom operator…..Sound re-recording mixer….Sound effects editor….Sound Designer…
Special Effects…..Special effects coordinator…Special effects technicians…Special effects makeup…..Katrina Baron
Visual effects….Visual effects executive producer….Visual effects coordinator…
Digital compositor……Senior compositor…Digital intermediate colorist…
Stunt Coordinators…..Stunt Rigger….Stunt Performer…..
Camera and electrical department
Camera operator—…..Camera technicians…..First assistant camera “b”camera….Video assistant
Electrician……Rigging electrician……
Grip—Mark A. Cordova…Grip—Kye……Grip—Scotty Allen……Grip—
Still photographer……David Moreno…..
Costume and Wardrobe Department
Key Costumer/Supervisor—
Arthur Woodridge
Editorial Department……First assistant editor—Sarah McCollum…..Editor: Visual Effects—
Music Department…..Music Editor—
Key Choreographer…..Additional Choreographers…..Anabel Cadena
Transportation Department…..Driver—…….Driver: camera bike………Driver: camera car—
Generator operator/driver—
Other Crew
Web Presence….Internet Marketing…Tito Chavez…..Web site tiguex.com
Car Handlers…..Chris Chavez…….Edward Gurule…..Ian…..
Mortorcycle Director…..Mark Chavez
Set Medic….
Script Supervisor….Anabel Cadena
Production Assistant…..
Production Assistant…..
Production Coordinator
Set Production Assistant—
Acting Coach—Stephanie Ann Landers
Acting Coach—Frank Melcori
Location Manager—Lynda Fazzio
Office Production Assistant……..
Sign Making—Jason Mock
Food Caterer—
Food Assistant-
Production Accountant—
Production Attorney
Assistant to Director—
Community Outreach Director—
Music Gatherer- George “Bamboozle” Fischer
Cleaning Crew—Pete A. Mora
Bible Studies—Elfigo Moya
Car Clubs
Martin Pena……..Low Visions Car Club……..Dreams and Fantasies Car Club………La Familia Car ClubReflective Stylez Car Club……….Latino Ryderz……..Reflective Stylez Car Club………Latino Ryderz
Bands
Silent Echo…Albuquerque Blues Connection……Morbid Machine……Midnite Fire……..Hector Pimentel………Tobias Rene……..Al Hurricane Jr…….Grupo Explosion………Matt Martinez
Concert Promotions
Escobar Entertainment and Charm Promotions……….Event Director
Pending Cast………
—……..Additional Stand ins—
Tito Chavez is the President of The New Mexico Film Producers Association. http://newmexicofilmproducers.org
Albuquerque, New Mexico: With it’s vibrant nightlife, 300-plus days of sunshine and diverse terrain-from red rock and white sand to alpine and arid desert-Albuquerque is fast becoming a mini move mecca. Fiscal year 2009 welcomed 24 film and television productions that took advantage of the city’s ability to double for nearly every type of backdrop, as well as its proximity to Los Angeles and an experienced crew base of 3,000 and growing. Albuquerque Studios, the largest studio in North America. The 54-acre facility houses eight soundstages, office space, a backlot area mill storage and set construction space, production support, post-production suites and a 25,000 square foot prop/costume,wardrobe shop, courtesy of NBC/Universal. New Mexico offers a 25% tax credit on all production expenditures made in the state, a 50% reimbursement of wages for on the job training of New Mexico Residents and a zero-interest film loan program up to $15 million per feature–MovieMaker Magazine Winter 2010
FILMS IN DEVELOPMENT:
Locked 2011
FILMS IN PRE-PRODUCTION:
Ancient Bloodlines 2011
FILMS IN PRODUCTION:
FILMS RELEASED:
Desert Rain 2010- Rough Cut Trailer

Daniel Santiago a Chicano rap star and Son to Spanish music artist Juan Santiago is a tale of tragedy, murder, and revenge in a greedy politically corrupt Albuquerque, New Mexico. Daniel, mournful of his father’s death discovers that his uncle murdered his father over dealings with the MOB and to be with his mother. Seeking revenge he drives an innocent love to madness. In a visit with his mother, Daniel expresses his anger and disappointment concerning her swiftly untimed relationship with his uncle. Daniel plots against the uncle and the Chicano Mafia as he conspires with the lives of two close friends and successfully takes revenge on his uncle, but at the cost of many lives, and almost everyone who loves him, including his own and his innocent love.
LOCKED The Chicano Series Starting Shoot Date: Spring 2010
Interview with Tito Chavez, talking about “LOCKED”

2009 DESERT RAIN CLICK TO VIEW TRAILER. Tiguex Productions proudly co-produced Desert Rain here in New Mexico for Steve Loff and his New York Crew. I was so proud to co-produce this film because it was a collaboration of New York and New Mexico. I work hard to bring filming in New Mexico or do whatever I can. Gracias State Rep. Miguel Garcia and Mayor Swistack of Rio Rancho. Thanks to all who helped us get this done, you know who you are. Tiguex is so grateful for your help. Gracias-Tito
Tito,
Thanks so much for your hard work and dedication to “Desert Rain” I couldn’t have done it without you. The footage looks great and you’re a big reason why. Keep me posted on “LOCKED”. Good luck and God Bless. Best, Steve Loff
www.desertrainthemovie.com
As Seen in The New Mexico Business Weekly Magazine Friday, March 19, 2010
http://albuquerque.bizjournals.com/albuquerque/stories/2010/03/22/story8.html
As Seen in The Albuquerque Journal Monday, March 22, 2010
Help State Grow Its Own Film Industry
By Tito Chavez
Founder, New Mexico Film Producers Association
Since its inception in 2002, the New Mexico film incentive program has been a success by most measures.
It has brought attention to New Mexico as a filmmaking center. It has brought millions in revenue to the state. It has resulted in thousands of hours of work for film crews, and millions in income taxes to the state treasury.
It has attracted much of the necessary infrastructure to further the industry, including soundstages. While there are still some questions about the actual numbers and economic benefits, we, as part of the filmmaking community, have no doubt the incentives have been a positive to the state in an otherwise down economy.
But the state does face challenges. There has been a backlash against the film incentives from some state legislators who remain unconvinced of the benefits to the state. And there is growing competition from other states that are trying to lure the same productions to their states by creating increasingly larger incentives for filmmakers. Unfortunately, this results in a race to the bottom of the economic ladder as states give more and more away to filmmakers.
We feel that the state must make some changes in direction to prevent the downward spiral.
First, it must make the incentive process more transparent. Taxpayers need to know exactly where their money is going and what benefits it is reaping. The New Mexico Film Producers Association feels this is crucial to maintaining the viability of the incentive program, and it supports complete transparency in the process.
Second, it is time for the state to support the local filmmaking community, particularly the above-the-line component. For the most part, local producers, filmmakers, screenwriters and actors have watched from the sidelines as the state lavishes attention on out-of-state filmmakers. producers and productions, and focuses on jobs for film crews.
There have been local producers who have benefited from the rebates. But to our knowledge, only one native New Mexican producer has actually qualified for, and received, money from the state to finance a film, while tens of millions have gone to out-of-state producers.
Our goal with the association is to change that. There is no reason the creative community of New Mexico cannot develop, package, produce and distribute movies made in New Mexico.
This is crucial. The movie business is fickle. Hollywood tends to go where it can make its movies easily and cheaply. For right now, that is New Mexico. But who knows in five or 10 years?
After the state has invested tens of millions of dollars, it would be a shame to see empty soundstages and out-of-work crews in a few years because of our lack of foresight. The New Mexico Film Producers Association believes it is imperative to foster the local creative community so there is a bedrock for production here that is not dependent on the whims of Hollywood.
The association also realizes we cannot depend on the state to do our work. The production community in New Mexico must unite, and we believe the association can be the vehicle to do that.
Our broad goals as an association are to advocate on behalf of local producers at the city, county, state and federal levels. We are glad to work with the other groups in the industry, but we also realize they don’t always speak for us and our particular concerns, and it necessary to have an independent voice.
The association also supports training and education for producers, so they have the knowledge and expertise to bring movies from an idea to a finished product. We want to raise the bar so our producers can compete with those from out of state.
We want producers to be well-schooled in the business side of making movies and provide access to the resources, financing, distribution and people needed to make that happen. We want access to the state’s film fund to be a reality for local filmmakers, not an anomaly.
By creating a more expansive view of what the film industry can be here, we increase the potential financial benefits to the state. As legislators and the public see they are funding a home-grown industry, not just a playground for out-of-state productions, we will enlist the support necessary to have a thriving film business.
We ask for your support and participation in this process.
Tiguex Productions is a collaboration of New Mexico Cast and Crew. We are self sufficient, while benefiting the New Mexico Film Industry and excelling in our extensive Community Outreach Program. Our formation is by the Community for the Community. Below are pictures of Juvenile Detention Center BBQ and Concert Sponsored by Tiguex Productions.

Sponsored by Tito Chavez and Tiguex Productions, Bernalillo County Juvenile Detention & Youth Services Center is holding a poetry / writing contest. The Dead line for the contest is August 25, 2009 New date of dead line is September 24th. All entries must be in no later then 3pm to Steve S, no exception. The selection for the winner will be done by Tiguex Production, and once the winner is selected they will be contacted whether or not they are still in detention.
The winner will be able to re-site their writing in the film, “LOCKED”; however this may change pending Production, and be placed in the production “LOCKED” in another way.
No more then TWO entries per-person can be submitted.
Your name must be on the finished work, no AKA street names, please. We want you to get the full credit for your work.
Please do your best to keep it clean, no attacks on any specific person or group of people or organizations. Please do not promote Drugs, Gangs, or Violence.
FYI The Cumberland Penitentiary Riot, which took place on February 2 and February 3, 1980 in the state’s maximum security prison south of Santa Fe, was one of the most violent prison riots in the history of the American correctional system: 33 inmates died and more than 200 inmates were treated for injuries.[1] None of the 12 guards taken hostage were killed but seven were treated for injuries caused by beatings and rapes.




